Matthew Cooperman & Aby Kaupang - Salt Lake City


Matthew Cooperman & Aby Kaupang

Matthew Cooperman & Aby Kaupang

Matthew Cooperman & Aby Kaupang

Sep 27, 2017, 7:00 pm

Author

Matthew Cooperman & Aby Kaupang

Book Title

Spool & Little "g" God Grows Tired of Me

City

Salt Lake City

Wasatch Front Region

Venue

Salt Lake City Public Library
210 E 400 S
Salt Lake City , UT 84111-2804
Map [+]

Description

City Art presents poets Matthew Cooperman and Aby Kaupang. Both Cooperman and Kaupang have authored numerous books and chapbooks. They have also collaborated on a number of works, most notably the ongoing projects NOS (disorder, not otherwise specified) and Jungle Book: A Memoir of Abilities.

Matthew Cooperman is an American poet, critic and editor. He is the author of five full-length collections of poems, including Spool, winner of the New Measure Prize (Free Verse Editions/Parlor Press, 2016), Imago for the Fallen World (w/Marius Lehene, Jaded Ibis, 2013) and Still: of the Earth as the Ark which Does Not Move (Counterpath Press). Cooperman’s first book, A Sacrificial Zinc, won the Lena Miles Wever-Todd Prize from Pleiades in 2001.

Cooperman has also been active as a collaborator, working with such varied groups and persons as Sharon Butcher Dance, Marisol Eckert Collective, artist Lisa Cooperman, Italian artist Simonetta Moro, Canadian composer Libby Larsen, and British poet Lawrence Upton. In 2004 he co-founded the collective Accidental Vestments with the Romanian artist Marius Lehene. Since that time he and Lehene have been active on a number of projects, most notably the image and textbook Imago for the Fallen World. With the poet Aby Kaupang, Cooperman has authored a number of works, most notably the ongoing projects NOS (disorder, not otherwise specified) and Jungle Book: A Memoir of Abilities. The two often perform together.

Aby Kaupang is currently serving as the Fort Collins Poet Laureate. She is the author of Disorder, 299.00 (Essay Press,2016), Little "g" God Grows Tired of Me (SpringGun Press, 2013), Absence is such a Transparent House (Tebot Bach, 2011) and Scenic Fences | Houses Innumerable (Scantily Clad Press, 2009). Her poems have appeared in Seattle Review,VOLT, Verse, Denver Quarterly, FENCE, The Laurel Review, Parthenon West, Aufgabe, 14 Hills, Interim, Caketrain, lo-ball and others. She holds masters degrees in both Creative Writing and Occupational Therapy.

This event is made possible with support from City Art, The City Library, and Utah Humanities.

Genre

Poetry

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